I read it now, two years on, and my heart still shudders at having to choose. In one case it was between:
Toni Morrison believes that the majority of American fiction has been concerned with 'the architecture of a new white man.' Does Tender is the Night explore the historical collapse of this figure?and
Can Tender is the Night be read as a plea for understanding made by a writer who felt he had squandered his artistic potential?I think, by that point, I was over the moon to be given:
Write an essay on the detective as semiotician (one who studies signs) with reference to the Sherlock Holmes stories.Thankfully, I had long been hooked on Holmes. Although impressing your tutor is a whole different thing, and a critical part in determining grade.
To be honest, I don't know if those parts of toil was worth my now being able to say I was a pupil of American Liberals and Moderns (yuk) and Victorian Crime Writing (much less yuk).
And today, I realise I'm still taking on things of which the real challenge I don't really know. Ah, well. What doesn't kill you, hey?
(maybe the correct order is more Phew, and Yikes)
1 comment:
urk urk urk... i remember those questions. i think it just SOUNDS impressive to be able to say hey, i did AL&M.
i like(d) holmes too.
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